| ORDER
NUMBER |
TITLE |
COMMENTS
|
KEY |
| H&S |
HORNS AND STUFF |
A quick
reference guide for stage band and dance
band arrangers. It contains notes on
ranges, registers, and characteristics of
instruments most often associated with
stage and dance bands. It includes a
comprehensive section on Latin instrument
rhythm patterns and a basic chord chart.
Musicians new to arranging will find it
to be an invaluable reference.
Experienced arrangers will find
themselves referring to it more often
than they might imagine. |
| CD-1 |
LISTEN BEFORE YOU BUY |
MP3s of all of
Dick Brodfuehrer's "D" and
"BB" arrangements are available
on a single CD. That's more than 100
charts! They sound much more realistic
than the MIDI versions and are the full
arrangements, not just short samples. The
price is only $10.00 to cover the costs of
materials, production, postage, and
handling. Use the ORDER NOW! page
to place your order. |
| PJ-1 |
Piano Jazz Book & CD |
A book/CD bundle of 6 jazz piano pieces for
the intermediate student. Listen to the
recording as you play along! A testimonial
about Joe's stuff: "Dear Joe...impressed
not only with your orchestration and composition, but
also with your ease with the print-out
program."-Dick Hyman. |
| 662-D |
TAKE FIVE |
WRITTEN FOR ALTO AND 2 TENORS PLUS 3
BRASS AND RHYTHM. FEATURES THE ALTO
THROUGHOUT A LA PAUL DESMOND. THE CHART
IS WRITTEN IN Fm. THE ORIGINAL KEY WAS
Ebm, BUT WHO WANTS TO CONTEND WITH SIX
FLATS! I KNOW I DON'T. ALSO AVAILABLE FOR
JAZZ OCTET (ALTO, TENOR, BARI, TRUMPET,
BONE, AND RHYTHM). OCTET
VERSION IS AVAILABLE IN Fm OR THE
ORIGINAL Ebm. (See below) SAMPLE |
| 776-D |
Take Five |
For Jazz Octet (alto, tenor, 2nd tenor or bone, bari, trumpet, and
rhythm). In the original key of Ebm |
| 777-D |
Take Five |
For Jazz Octet (alto, tenor, 2nd tenor or bone, bari, trumpet, and
rhythm). SAA only in the easier key of Fm. |
| 775-D |
Take Five Sax Quintet |
For Saxophone Quintet. Scored for:
AATTB+Rhythm (piano and or guitar, bass, and drums). Otherwise
SAA (Same as above). Original key of Ebm. SAMPLE
|
| 767-D |
Take Five Sax Quintet |
For Saxophone Quintet. Scored for:
AATTB+Rhythm (piano and or guitar, bass, and drums). Otherwise
SAA.
Easier key of Fm. SAMPLE
|
| 402-W |
TAKE THE "A" TRAIN |
|
| 482-D |
TALK OF THE TOWN-ETC.-MEDLEY |
BALLADS. "TALK OF THE TOWN",
"LITTLE THINGS MEAN A LOT", AND
"BECAUSE OF YOU". SAMPLE |
| 293-W |
TASTE
OF HONEY
|
AVERY
NICE CHART THAT FEATURES THE TRUMPET. |
| 217-T |
TD
MEDLEY-MARIE,
BOOGIE WOOGIE,
SONG OF INDIA |
SOME
VERY INTERESTING STUFF HERE. VERY
ENTERTAINING MEDLEY FOR THE AUDIENCE. |
| 510-R |
TEDDY THE TOAD |
A NEAL HEFTI TUNE DONE IN A LAZY
SWING STYLE. A DAMN FINE CHART. VERY LAID
BACK. NOT HEARD MUCH. |
| 218-W |
TEA
FOR TWO |
CHA-CHA |
| 219-T |
TENDERLY |
IN
4/4 |
| 493-D |
TENDERLY |
THIS IS NOT YOUR TYPICAL TENOR BAND
APPROACH. IT HAS MORE MODERN CHORD
SUBSTITUTIONS, AND FEATURES THE BONE. THE
TROMBONE AND 2nd TRUMPET ARE NOT
OPTIONAL ON THIS ONE. SAMPLE
|
| 220-O |
TENDERLY |
GEEZ,
THIS GUY SURE DOES NICE ARRANGEMENTS. |
| 221-W |
TENDERLY |
THIS
IS THE EASIEST OF THE FOUR. BUT HAS NICE
HARMONIES & SOUNDS AS GOOD AS YOU
MAKE IT. A WALTZ. |
| 222-W |
TENNESSEE
WALTZ |
NICE
COUNTRY WALTZ |
| 431-R |
THANKS FOR THE MEMORY |
A SIMPLE ARRANGEMENT WITH NICE TIGHT
HARMONIES THAT CAN BE USED AS A SINGLE
CHORUS CLOSER, OR AS A 3 CHORUS CHART
COMPLETE WITH SECOND CHORUS SOLOS. OR YOU
CAN DO A VOCAL IN THE SECOND CHORUS. |
| 223-T |
THAT
LOOK OF LOVE |
WEST
COAST STYLE. KIND OF FUN TO PLAY. |
| 894-R |
That Old Devil Moon |
A nice slow ballad that features the trumpet and alto with
the leads, and a terrific counter-melody being played by the bari or bone. |
| 405-W |
THAT'S AN IRISH LULLABY |
|
| 406-W |
THAT SLIDING TROMBONE MAN |
YOU COULD TAKE
20 OF THESE CHARTS AND PUT TOGETHER A TWO
HOUR (OR MORE) SHOW, FOR LESS THAN YOU
GET PAID FOR THE GIG. (WE HOPE) |
| 806-V |
(The) Way You Look Tonight
String Quartet |
String Quartet. This is a classic swing tune from the movie "Swing Time" released in 1936. The feel should be relatively "easy" and danceable. The harmonies are fairly standard but the rhythmic figures have been altered to keep the "accompaniment" from feeling choppy. That being said, the quarter tied to a half note figure should be articulated separately with a slight accent on the half note but with the same bow direction instead of separate directions. The first part can be played by either violin or flute. |
| 828-D |
(The) Way You Look Tonight |
Starts in Eb, goes to F for the last chorus. Written for alto, tenor, bari, 2 trumpets, 1 bone (optional 2nd bone part available), and rhythm. There are short trumpet and tenor solos. No need for flowery prose here, because these are the greatest
arrangements ever! Oops!...Where did that flowery prose come from!
Sample |
| 225-R |
(THE) WAY YOU LOOK
TONIGHT |
ANOTHER
LAID BACK TUNE. YOU CAN VARY THE TEMPO
EASILY. LAST TIME I PLAYED IT AT A GIG,
WE WERE ASKED TO REPEAT IT TWICE! |
| 226-O |
THEN
I'LL BE TIRED
OF YOU |
ANOTHER
CHART DONE FOR KENTON. AND ANOTHER
EXCELLENT CHART FOR YOUR GROUP. This
arrangement was featured on Stan Kenton's
"The Ballad Style of Kenton"
album, but otherwise the sheet music has never been published. |
| 808-D |
There's A Kind of Hush |
Written for alto, tenor, bari, 2 trumpets, 1 bone and rhythm. In Bb. No solos.
Sample |
| 499-D |
THERE WILL NEVER BE ANOTHER YOU |
AN UP-TEMPO TREATMENT. GOOD FOR
ENSEMBLE IN, SOLOS, ENSEMBLE OUT. MEDLEY
MAKER. SAMPLE |
| 592-BB |
THESE FOOLISH THINGS |
A “-J” ARRANGEMENT. A GREAT
DANCE CHART THAT IS SHORT BUT SWEET.
FEATURES LEAD TRUMPET AND PIANO. |
| 407-W |
THESE FOOLISH THINGS |
|
| 593-J
|
THIS
GUYS IN LOVE WITH YOU
Trombone Quartet |
FOR
A BONE QUARTET WITH RHYTHM. THIS ONE IS A
SLOW SWING CHART, WITH BEAUTIFUL
VOICINGS, AND PIANO INTERLUDES. |
| 901-R |
This Is My Country
Dixieland |
Dixieland. A medley of "This Is My Country" and
"You're A Grand Ol' Flag". The first chorus of
"My Country" is played pretty straight, maybe even like a concert band. Then it steps off into a Dixie style rendition of "You're A Grand Ol' Flag" played up tempo and hot! |
| 611-R |
THIS LAND IS YOUR LAND Dixieland |
DIXIE STYLE. FOR CLARINET, BARI/BONE,
TENOR, TRUMPET, BASS/TUBA, PIANO AND
RHYTHM. THIS ONE REALLY MOVES. YOU CAN
HAVE AN OPEN MIDDLE CHORUS FOR SOLOS. DID
YOU KNOW THE ORIGINAL TITLE OF THIS WAS
"GOD BLESSED AMERICA"? WOODIE GUTHRIE CHANGED IT AFTER IRVING'S
SONG (WHICH CAME LATER) BECAME MORE
POPULAR. SAMPLE |
| 250-W |
THIS
MASQUERADE |
NICELY
DONE VERSION OF THE LEON RUSSELL TUNE.
FOR SMALL COMBOS |
| 873-R |
Those Were the Days |
Maybe a little Klesmer, maybe a little polka, and maybe a lot of fun. If you have ever been asked to play "Havah" at a gig, instead you play this one. Not just a novelty this one, it has a lot going on but still stays true to the Jewish
(Hora) style with a melody that everyone will recognize. For clarinet, optional tenor (just ask), bari or bone, trumpet and rhythm. |
| 227-O |
THREE MEN ON A RIFF |
OUTSTANDING ARR. DONE BY THE SAME
PERSON THAT DID KENTON'S CHART. DOWN AND
DIRTY. |
| 494-D |
TICO-TICO |
A SAMBA! THE PIANO PART IS FULLY
ARRANGED. SAMBA RHYTHM PATTERNS FOR
GUIRO, CHOCOLO, AND CABAZA, ARE SHOWN ON
THE HORN PARTS SO THEY CAN SCRATCH AND
SHAKE WHEN NOT PLAYING THEIR HORNS. (I
KNOW. THE HORN PLAYERS DO THAT EVEN WHEN
IT'S NOT WRITTEN IN.) SAMPLE
|
| 821-D |
Tico-Tico
Sax Quintet |
Saxophone Quintet. Written for 5 saxes (AATTB)
and rhythm section. It is a Samba, written in C,
and there are no solos. SAMPLE
|
| 408-W |
TIE A YELLOW RIBBON |
|
| 861-F |
Tiger Rag
Dixieland |
Dixie style. The famous Dixieland song arranged for three saxophones (soprano or alto, alto or tenor, and tenor), two trumpets, 1-2 trombones, piano, bass and drums (yes, the drum part is written out). Ignore the SAMPLE, all of the tunes are included (all 156 measures, and that's not counting the repeats). The trombone is featured (of course), but there are also trumpet and saxophone solos.
SAMPLE
|
| 594-J |
TIME AFTER TIME VOCAL |
A VOCAL SWINGER FOR “POPS”
CHOIR. HAS SOPRANO, ALTO, TENOR, BARITONE
PARTS, WITH PIANO, BASS AND DRUMS. |
| 595-J |
TIME AFTER TIME |
FOR TRUMPET, TENOR, BARI, BONE, AND
RHYTHM |
| 596-J |
TIME AFTER TIME |
FOR TRUMPET, TENOR, BONE, AND RHYTHM |
| 511-R |
TIN ROOF BLUES |
A SUPER BLUES CHART. HAS A SECOND
CHORUS SOLO FOR WHOEVER WANTS TO TAKE IT.
THERE IS ALSO A CLARINET PART (WHICH CAN
BE COVERED WITH SOPRANO OR TENOR SAX)
THAT HAS AN INTERESTING COUNTER MELODY. |
| 409-W |
TIS AUTUMN |
|
| 895-R |
To
All The Girls I've Loved Before |
This is an up-tempo (but still laid back) version of
the great ballad by Willy and Julio.
An arranger can write ten very nice arrangements in a
row and out of those one of them will be better than you had
ever imagined. This is one of those. The lead is with the muted trumpet and alto. The tenor has a little
counter-melody and the lead at the end. If you want a
bone part let us know and we will provide it for you. There is a terrific bass and piano part. What really makes this chart work, though, is the guitar counter-melody part that comes with it. It works without a guitar but is truly wonderful with
it. SAMPLE
|
| 228-O |
TONI |
DITTO! |
| 229-T |
TONIGHT |
LATIN
STYLE When done with a Beguine or Rhumba
rhythm this is a very, very nice arrangement.
The potential for solos is there along with some neat
arranging. |
| 410-W |
TO YOU SWEETHEART, ALOHA |
|
| 495-D |
TOO FAT POLKA |
THIS IS LABELED "PIP"
(FOR POLITICALLY INCORRECT POLKA). EASY
TO PLAY EXCEPT FOR SOME QUICK FIGURES IN
THE BASS PART. SAMPLE
|
| 412-W |
TOO FAT |
POLKA |
| 496-D |
TOO YOUNG |
WELCOME TO 1951! FEATURES 50s "ROCK
BASS" AND DRUM FIGURES. A MOSTLY
ENSEMBLE CHART WITH A TENOR SOLO. SAMPLE |
| 634-R |
(THE) TOUCH |
FOR TRUMPET, BONE, ALTO, TENOR, BARI,
PIANO, AND RHYTHM. A NICE DANCEABLE
BALLAD. NICE PARTS FOR ALL OF THE
INSTRUMENTS. BARI AND BONE CAN BE DROPPED.
|
| 671-D |
TRES TIJUANAS |
THREE TUNES FEATURING THE 2 TRUMPETS:
SPANISH FLEA, A TASTE OF HONEY, AND
MEXICAN SHUFFLE. IT IS WRITTEN AS A
CALYPSO, BUT CAN BE PLAYED AS A GENERIC
RHUMBA, OR EVEN A BASIC 2-BEAT A LA HERB
AND THE BOYS. THE CHART CAN BE PLAYED
WITHOUT THE 2nd TRUMPET, BUT THE TROMBONE
IS NEEDED. SAMPLE
|
| 726-J |
TRISTE
Percussion ensemble |
Percussion ensemble. A big step for us! A totally
different style/instrumentation of arrangement. This
one is great! For 2 marimbas , traps, electric bass , conga and clave .
|
| 668-D |
TRUE LOVE Waltz/vocal |
VERY EASY TO PLAY SLOW WALTZ VOCAL IN
Eb. NO INSTRUMENTAL SOLOS, THE SINGER IS
THE WHOLE SHOW. SAMPLE
|
| 411-W |
TRY A LITTLE TENDERNESS |
|
| 926-L |
Tuba Two, Volume One
Tuba Duet |
Tuba duet. A medley of "Joy to the World", "Up On the Housetop" and "We Wish You a Merry Christmas".
Now there may be a great many other
websites that carry sheet music out there but how many
have Tuba Duet sheet music. This shows you that
we are still "Outstanding and Unique". |
| 926-L |
Tuba Two, Volume Two
Tuba Duet |
Tuba Duet. A medley of "Angels We Have Heard On High", "What Child is This?" and "Hark the Herald Angels Sing." |
| 380-R |
TUMBLING TUMBLEWEEDS |
INSTRUMENTAL OR VOCAL. AS A VOCAL IT
IS BEST AS A DUET WITH A RHYTHM
BACKGROUND. THIS CHART IS IN A SWING
STYLE WITH GREAT HARMONIES. |
| 230-W |
TUXEDO
JUNCTION |
A
LITTLE EASIER BUT VERY NICE. |
| 231-O |
TUXEDO
JUNCTION |
MORE
DIFFICULT BUT IT'S WORTH IT. THE NICEST
ARRANGEMENT OF THIS TUNE THAT I HAVE EVER
PLAYED. |
| 522-BB |
TUXEDO JUNCTION |
THIS WAS DONE BY THE SAME ARRANGER AS
ABOVE. IT WAS DONE IN THE ORIGINAL TEMPO
FOR STAN KENTON. HAS AN INTERESTING
"DROP ON 4" INTRO WITH THE
TROMBONES, AND ALSO A UNIQUE SAX MELODY
AND TRUMPET PART. OF COURSE IT ALSO HAS A
GREAT "UP IN THE AIR" KENTON
ENDING! KENTON WAS BIG ON THE NON-RESOLUTION
ENDING. |
| 832-BB |
Tuxedo Junction |
An "-O" arrangement. Kind of
features the trombone section, beginning with the
Intro that has a "drop 4" pick-up beat feel
right at the beginning (which is why the other parts
have a 9 measure (instead of 8) rest before letter
A. This is repeated at the last 8 bars with a
big crescendo on the final measure/note. This
chart is quite accessible for most high school and
above stage bands. |
| 759-R |
T.V. Madness I |
Some fun for your group! Everyone has their favorite TV or Movie theme song. Each
arrangement includes from 5 to 6 short vignettes (how
is that for a word. I am not just another pretty
face). For Alto/clarinet, tenor or sometimes bari, trumpet, piano and rhythm. This one is: OO7, Addams Family,
Andy (Griffith), Barnabus (Quentin's Theme), Brady Bunch, & Cantina (Star Wars).
Each one also comes with "March to the
Movies" a 20th Century Fox fanfare to be used as
a lead in. |
| 760-R |
T.V. Madness II |
SAA except this one has: Jeopardy, Hogan's Heroes, I Love Lucy, Itchy &
Scratchy (The Simpsons), The Lone Ranger, & Love Boat. |
| 761-R |
T.V. Madness III |
SAA except this one has: The Magnificent Seven, Mr. Ed, Mr. Lucky, The Munsters, Perry Mason, & Quincy. |
| 762-R |
T.V. Madness IV |
SAA except this one has: Rocky & Bullwinkle, The Man From U.N.C.L.E., WKRP, Cheers, Dick VanDyke, &
Hawaii 50. |
| 768-R |
T.V. Madness V |
SAA except this one has: Dukes of Hazzard, Get Smart, Gilligan, The Great Escape, Happy Days, Harry Lime (The Third Man Theme). |
| 769-R |
T.V. Madness VI |
SAA except this one has: Hill St. Blues The Honeymooners, L.A. Law, Popeye, Scooby Doo, The 3 Stooges. |
| 770-R |
T.V. Madness VII |
SAA except this one has: Flipper, Green Acres, Gunsmoke, The Muppets, Spiderman-1960's, Superman-1958. |
| 529-D |
12TH ST. RAG |
THIS IS A STRAIGHT-FORWARD
ARRANGEMENT. THERE ARE AD-LIB PIANO AND
TRUMPET SOLOS, AND AD-LIB DRUM FILLS TO
KICK THE LAST CHORUS. SAMPLE
|
| 597-BB |
TWO FOR THE ROAD |
A “-J” CHART. UP TEMPO
BOSSA ARRANGEMENT WITH FLUGEL HORN
FEATURE, AND PIANO SOLO. ALTO AND
TENOR SAXES ARE ALSO FEATURED ON THE
FLUTE. |
| 232-O |
UNDECIDED |
THESE
ARE TERRIFIC ARRANGEMENTS. NO ONE DOES
BETTER. |
| 413-W |
UNDECIDED |
|
| 819-V |
Unchained Melody
String Quartet |
String Quartet. Everyone knows this Alex North ballad and it appeals to every age group. The arranger did this one for his wife because it is one of her favorites "oldies" ballads.
Editor: It is just a great tune, forget this "oldies" stuff.
SAMPLE |
| 515-R |
Unchained Melody |
Nothing fancy as long as you don't discount the fact
that this is a fine arrangement. This is kind of a
tenor feature. The leads go back and forth
between the alto, tenor, and trumpet. For alto, tenor,
trumpet, and rhythm. In
"C". |
| 414-W |
UNFORGETTABLE |
|
| 233-R |
UNFORGETTABLE |
NICE
STYLING, PEOPLE LOVE THIS VERSION |
| 670-D |
VALSE PARISIAN
Waltz |
VISIONS OF INTIMATE LITTLE LEFT
BANK
CAFES, STROLLING DOWN THE PROMENADE IN
NICE--BUT I DIGRESS! IF YOU NEED A BRIGHT
WALTZ FOR YOUR SERIOUS BALLROOM DANCERS,
THIS IS THE ONE. THREE CHANTEUSE (editor: I had to look
up the meaning of that one) SONGS,
"DOMINO," "PIGALLE,"
AND "UNDER PARIS SKIES"
FEATURING MOSTLY THE SAX SECTION. IT IS
WRITTEN FOR ALTO AND TWO TENORS, AND CAN
BE USED WITHOUT THE TROMBONE AND 2nd
TRUMPET. SAMPLE |
| 774-M |
Variety
Rag (1912)
Sax Quartet |
Saxophone quartet .A rag with, well, variety! The melody gets played by a variety of players, and there are several running parts to keep everything interesting. Scored for SATB or AATB.
Keys: F/Bb SAMPLE
|
| 234-O |
Velvet
Mood |
Very
laid back tune with openings for solos. |
| 235-W |
VIA
CON DIOS |
I
SUPPOSE YOU COULD USE THIS AS A CLOSER,
IT IS DEFINITELY NOT AN OPENER. |
| 415-W |
VOLARE
Vocal |
|
| 236-W |
WABASH
BLUES |
I
LOVE THIS ONE, BUT DON'T MAKE THE MISTAKE
OF PLAYING IT TOO FAST. |
| 237-T |
WAGON
WHEELS |
IF
YOU HAVE PEOPLE BUGGIN' YOU TO PLAY A
COUNTRY TUNE, PLAY THIS ONE. IT'S FUN AND
THEY WON'T ASK YOU AGAIN! |
| 773-M |
Wall Street Rag (1909)
Sax Quartet |
Saxophone quartet. Joplin included text to describe each section of this piece, describing stock brokers’ moods changing from melancholy in a bear market to carefree during a bull market by the end of the piece.
We hope this arrangement does the same for players and audience alike.
Scored for SATB or AATB. Keys: C/F
SAMPLE
|
| 416-W |
WALKIN' MY BABY BACK HOME |
|
| 891-R |
Waltzing Matilda 4/4 |
Waltzing Matilda in 4/4. Why? I asked the arranger, and
he said because he felt like it. It's the old bulldog syndrome. Why does a bulldog lick its parts? Because
it can!. So there you are! Because he can...That's the reason he wrote Waltzing Matilda in 4/4. Not a bad chart, however.
For alto, tenor, trumpet, and rhythm. In
Eb |
| 653-R |
WALTZ MEDLEY Waltz |
WALTZ. FASCINATION-TRY TO REMEMBER-WHERE
IS YOUR HEART. FOR TENOR, BONE, TRUMPET,
AND RHYTHM. |
| 598-BB |
WATCH WHAT HAPPENS |
A "-J" ARRANGEMENT. A BOSSA
CHART FOR BIG BAND. 5/4/4 THE REEDS USE 2
CLARINETS, 2 FLUTES, AND TENOR. THERE ARE
SOLOS FOR THE FLUGEL HORN AND TENOR. |
| 826-R |
Watch What Happens |
A super nice Bossa chart for a 3 horn combo. Features the Bari sax (but we can sub a tenor in its
place if we have to). Very interesting syncopation in the
bridge ala Duke Ellington, who said; "It's not the notes that
count so much, but the space between them". You'll love this one. |
| 284-W |
WAY
DOWN YONDER
IN NEW ORLEANS
DIXIE |
DIXIE.
A VERY WELL DONE CHART. EASIER TO PLAY,
BUT WILL SOUND AS GOOD AS YOU WANT IT. |
| 806-V |
(The)
Way You Look Tonight
String Quartet |
String
Quartet. This is a classic swing tune from the movie "Swing Time" released in 1936. The feel should be relatively "easy" and danceable. The harmonies are fairly standard but the rhythmic figures have been altered to keep the "accompaniment" from feeling choppy. That being said, the quarter tied to a half note figure should be articulated separately with a slight accent on the half note but with the same bow direction instead of separate directions. The first part can be played by either violin or flute.
SAMPLE
|
| 828-D |
(The)
Way You Look Tonight |
Starts in Eb, goes to F for the last chorus. Written for alto, tenor, bari,
2 trumpets, 1 bone (optional 2nd bone part available), and rhythm. There are short trumpet and tenor solos. No need for flowery prose here, because these are the greatest
most wonderful arrangements ever! Oops!...Where did that flowery prose come from!
Sample |
| 225-R |
(THE) WAY YOU
LOOK TONIGHT |
ANOTHER LAID BACK TUNE. YOU CAN VARY
THE TEMPO EASILY. LAST TIME I PLAYED IT
AT A GIG, WE WERE ASKED TO REPEAT IT
TWICE! |
| 564-J |
(Just) The Way You Look Tonight |
For; Trumpet, Tenor, Bari, Bone and rhythm. |
| 565-BB |
(Just) The Way You Look Tonight |
A "-J" arrangement and a trumpet feature. |
| 417-W |
WE'LL MEET AGAIN |
|
| 618-R |
WE'RE OFF TO SEE THE WIZARD Waltz |
A LOT OF INTERESTING HARMONIES IN THE
HORNS. A NICE JAZZ WALTZ! |
| 418-W |
WESTERN MEDLEY |
|
| 238-O |
WHAT
A DIFFERENCE
A DAY MADE |
A
REALLY GREAT MAMBO! |
| 626-J |
WHAT ARE YOU DOING THE REST OF YOUR
LIFE Piano Solo |
A PIANO SOLO CHART. |
| 610-BB |
WHAT ARE OF YOU DOING THE REST OF
YOUR LIFE |
A "-J" ARRANGEMENT.
FOR A
BIG BAND/SMALL ORCHESTRA. WRITTEN FOR 4
FLUTES, 4 TRUMPETS, 4 HORNS, ALTO, 4 BONES,
STRINGS, BASS, AND DRUMS. |
| 239-R |
WHAT
A WONDERFUL
WORLD |
ONE
OF MY PERSONAL FAVORITES. SOLO SECTION
CAN BE DONE AS A VOCAL.
IT CAN ALSO BE PLAYED UP-TEMPO FOR A DIFFERENT
EFFECT. |
| 599-BB |
WHAT’LL I DO? WALTZ |
A "-J" ARRANGEMENT. AN ALTO
FEATURE FOR 2 FLUTES, 2 CLARINETS, 3
TRUMPETS, 3 TROMBONES, AND RHYTHM. |
| 240-O |
WHAT
IS THERE TO SAY |
A
SLOW BALLAD WITH A PRODUCTION INTRO.
OUTSTANDING ARR. DONE FOR KENTON. |
| 622-R |
WHAT ARE YOU DOING NEW YEARS |
IF YOU HAVE NEW YEARS GIG AND YOU
WANT TO SKIP ALL OF THE OTHER JUNK, JUST
PLAY THIS. A NICELY DONE CHART WITH A FEW
THINGS GOING ON IN THE BACKGROUND. |
| 419-W |
WHAT ARE YOU DOING NEW YEARS |
|
| 420-W |
WHAT CAN I SAY |
|
| 421-W |
WHAT'LL I DO |
|
| 887-BB |
What You Ain't |
A "-D" arrangement. Big-band chart (5,4,4,3) in Ab. An original up-tempo tune based mostly on the changes to "All the Things You Are." Thus the title; "What You Ain't." The middle chorus repeats as often as needed for additional solos. This is a hard driving swinger that is a good showcase for your jazz soloists.
SAMPLE
|
| 916-D |
What You Ain't
Sax Quintet |
Written for saxophone quintet (AATTB) and rhythm section. This is an original tune by the "D" arranger and is based primarily on changes for "All the Things You Are." It is a "header" arrangement, in that the middle section can be repeated for unlimited ad-lib solos.
SAMPLE
|
| 725-R |
WHEN I'M 64 (Dixie)
Dixie |
Dixieland style. A really sweet Traditional Jazz arrangement. There is something going on with this chart everywhere. Middle chorus is open for solos, or you can turn the middle chorus into a sing-a-long. This is one of those charts where you jump in and hang on!
Key: C |
| 422-W |
WHEN IRISH EYES ARE SMILING |
|
| 825-R |
When I See
An Elephant Fly |
This one is a lot of fun. It sounds like a full orchestral
arrangement (it is a combo chart, though) in the first chorus with a lot of nice jazzy changes. In the 2nd chorus the arranger thinks you should do a "Masterpiece theater" type reading of the
lyrics. Notice I said reading, not singing. Do a serious reading of such lyrics as;
"I saw a peanut stand, heard a rubber band, I saw
a needle that winked its eye." It makes for a lot of fun! The third chorus and out has a back and forth on the melody with the horns and some interesting counter-melody going on. Yea!...Dumbo! |
| 294-W |
WHEN IT’S SLEEPY
TIME DOWN SOUTH |
A SMOOTH BALLAD. |
| 282-R |
WHEN JOHNNY COMES MARCHING HOME AGAIN
Dixie |
A REMARKABLE DIXIE PIECE. BEGINS SLOW
& SOULFUL, THEN MOVES INTO AN ALL OUT
FULL FLEDGED DIXIELAND FREE-FOR-ALL. AN
AUDIENCE PLEASER. .SAMPLE
|
| 746-D |
When Sunny Gets Blue |
A pretty ballad with very nice chord changes.
This chart uses lead alto with two tenors and has
short solos for trumpet, alto and tenor: and can be
used without the trombone and 2nd trumpet if
necessary. SAMPLE |
| 904-D |
When Sunny Gets Blue
Sax Quintet |
Saxophone Quintet. Written for 5 saxes (AATTB)
and rhythm section. Ad-lib solos for 1st tenor
and both altos. SAMPLE
|
| 747-D |
When Sunny Gets Blue |
Same as above, only
in an octet version.
SAMPLE |
| 241-W |
WHEN MY SUGAR
WALKS DOWN
THE STREET Dixie |
DIXIE STYLE |
| 497-D |
WHEN THE SAINTS GO MARCHIN' IN DIXIE |
DIXIELAND STYLE-REQUIRING CLARINET
FROM 1ST TENOR. SOLOS FOR TRUMPET, TENOR,
CLARINET, AND TROMBONE. ISN'T IT AMAZING
THAT THIS IS THE ONLY ARRANGEMENT OF THIS
TUNE THAT WE HAVE! AREN'T YOU GLAD? SAMPLE |
| 718-S |
WHEN YOU'RE SMILING |
(standard S instrumentation) THIS
ARRANGEMENT PRESENTS THIS ENDURING TUNE
IN TWO SEGMENTS - FIRST, A SLOW, SEDATE,
MODERN JAZZ CHORUS; THEN, SEVERAL UP TEMPO SWINGING CHORUSES. MODERATELY DIFFICULT. Key: Bb |
| 692-R |
WHEN YOU WISH UPON A STAR Dixie |
DIXIE STYLE. YOU WON'T BELIEVE HOW
WELL THIS WORKS AS A TRADITIONAL JAZZ (DIXIELAND)
TUNE UNTIL YOU PLAY IT! A VERY NICE UP-TEMPO
ARRANGEMENT OF A GREAT SONG. Key: Eb |
| 423-W |
WHEN YOU WORE A TULIP |
|
| 424-W |
WHERE AM I GONNA LIVE WHEN I GET HOME
|
|
| 242-T |
WHERE
OR WHEN |
WHO
KNOWS? |
| 243-O |
WHO
KNOWS |
MEDIUM
SWING. A GREEAAATTTT CHART. IT USES THE
THEME FROM WHAT'S MY LINE.
(THAT WAS AN EARLY T.V. QUIZ SHOW). |
| 244-W |
WHO'S
SORRY NOW? |
NO
ONE THAT PLAYS THIS ONE IS SORRY. |
| 600-J |
(THE) WIND
BENEATH MY WINGS String Trio |
FOR A STRING TRIO. |
| 601-J |
(THE) WIND
BENEATH MY WINGS String Quartet |
STRING QUARTET |
| 245-O |
WITH
THE WIND & THE
RAIN IN HER HAIR |
ANOTHER
CHART DONE FOR KENTON WITH WONDERFUL
COUNTERPOINT. THESE CHARTS REALLY SWING! |
| 425-W |
WITCHCRAFT |
A VERY NICE CHART DONE WITH THE BARI
SAX IN MIND. IF YOU DON'T HAVE A BARI AN
ALTO WILL WORK. |
| 246-D |
Woodchopper's
Ball |
REMINISCENT
OF THE WOODY HERMAN ARRANGEMENT. IT
STARTS WITH CUP MUTED BRASS, AND FEATURES
THE CLARINET, BUT ALSO HAS AD-LIB SOLOS
FOR 2nd TENOR AND 2ND TRUMPET. THE
CLARINET PLAYER NEEDS GOOD CHOPS FOR
SEVERAL HIGH Fs AND Gs, BUT OTHERWISE NOT
A DIFFICULT CHART. THE LAST COUPLE OF
CHORUSES SWING HARD, AND IT SHOULD BE A
GOOD CROWD PLEASER. SAMPLE
|
| 764-D |
Woodchopper's
Ball
Sax Quintet |
For
a Saxophone Quintet. Features the clarinet ala
Woody Herman. Otherwise SAA. Scored for:
AATTB+Rhythm |
| 848-F |
Woodchopper's
Ball |
This version is for clarinet, alto, tenor, 2 trumpets, bone,
and rhythm. There are solos for clarinet, trumpet, tenor and bass. Bass solo can be covered by piano if needed. |
| 247-W |
WORLD
WAR II MEDLEY |
(Not
available.--In rewrite)
DEEP
PURPLE & A FEW OTHERS. |
| 687-D |
YAKETY SAX |
A FUN CROWD PLEASING NOVELTY TUNE
MADE FAMOUS BY BOOTS RANDOLPH AND LATER AS
BENNY HILL'S THEME SONG. A CHALLENGE FOR
THE 1st TENOR WHO IS FEATURED THROUGHOUT,
BUT NOT TOO DIFFICULT FOR EVERYONE ELSE.
CAN BE USED WITHOUT THE TROMBONE AND THE
2nd TRUMPET. In G SAMPLE |
| 742-D
|
Yardbird |
A swinging up-tempo Charlie Parker tune for jazz octet.
(alto, tenor, bari, trumpet, bone, rhythm)
An alternate 2nd tenor part is included that can be used to replace the trombone. It is set up for unlimited solos.
Key of C. SAMPLE |
| 743-D
|
Yardbird |
Same as above only
in a 9 piece version. For: 2 trumpets, bone, alto, 2 tenors and rhythm. The bone and 2nd trumpet can be dropped.
SAMPLE |
| 602-J
|
YESTERDAY
String Quartet |
A
LOVELY BALLAD FOR A STRING QUARTET. |
| 639-D |
YESTERDAY |
A VERY NICE
ARRANGEMENT WITH SOME
INTERESTING CHORD PROGRESSIONS. A GREAT
BASS PART, WITH A COOL BRIDGE USING THE
SAXES AND BRASS. NEAT HARMONIES WITH A
NICE MODULATION NEAR THE END. ALTO/TENOR/TENOR
IS AVAILABLE IN LIEU OF 3 TENORS. SAMPLE |
| 655-R |
YOU AND THE NIGHT AND THE MUSIC |
FOR ALTO, TENOR, BONE, TENOR,
TRUMPET, AND RHYTHM. NICE FULL SOUND IN A
GREAT MOVIE THEME SONG. |
| 248-T |
YOU
ARE MY SUNSHINE |
IF
YOU LIKE THE PEOPLE THAT ASK FOR A
COUNTRY TUNE, PLAY THIS. NICE JAZZ
VERSION & GOOD FUN. ANDY WILLIAMS
STYLE. |
| 603-J |
YOU ARE THE SUNSHINE OF MY LIFE |
FOR TRUMPET, TENOR, BONE, AND RHYTHM. |
| 654-R |
YOU ARE THE SUNSHINE OF MY LIFE |
LATIN-BOSSA/ROCK. FOR TENOR OR
TRUMPET, PIANO AND BASS. |
| 426-W |
YOU MADE ME LOVE YOU |
(Not available--In rewrite) |
| 604-BB |
YOU MUST BELIEVE IN SPRING |
A "-J"
ARRANGEMENT. FOR 2 FLUTES, OBOE, 2 CLARINETS, 4
HORNS, STRINGS, AND RHYTHM. |
| 427-W |
YOU NEEDED ME |
|
| 514-R |
YOUNG AT HEART |
A VERY NICE MELODY AND A VERY NICE
CHART! |
| 627-J |
YOUNG AT HEART
Piano Solo |
A PIANO SOLO CHART. |
| 483-D |
YOUNG AT HEART-MEDLEY |
SLOW '50s BALLADS. "YOUNG AT
HEART", AND "MOMENTS TO
REMEMBER". CLARINET IS REQUIRED IN
THE 1st TENOR, AND THERE ARE SHORT SOLOS
FOR THE TENOR AND TRUMPET. SAMPLE |
| 249-R |
(the)
YOUNG & RESTLESS |
JAZZ
VERSION FOR THOSE SOAP ADDICTS. ALSO
KNOWN AS NADIA'S THEME |
| 498-D |
YOUNG AND WARM AND WONDERFUL |
THE TITLE SAYS IT ALL!! NO WAIT
THERE'S MORE. MEDIUM SLOW BALLAD
FEATURING A TRUMPET SOLO, WITH SHORT
SOLOS FOR TENOR AND BONE. TROMBONE AND 2ND
TRUMPET ARE NEEDED. SAMPLE
|
| 428-W |
YOU'RE A GRAND OLD FLAG |
|
| 840-R |
You're Nobody Till Somebody Loves You
Dixie
|
Pretty straightforward chart for Clarinet (we can make it an alto if you like), Bari (can make it tenor if you like), Trumpet, Bone and Rhythm. There is a little counter melody in the Bari part with the trumpet as lead, and a little clarinet and bone comping, ala Dixieland style. |
| 429-W |
You're Nobody Till Somebody Loves You
|
LATIN/RHUMBA |
| 925-L |
You're the One
|
This one has a written sax solo and was originally
done by the Vogues. |
| 638-R |
YOUR CHEATIN' HEART |
STARTS WITH A VINTAGE JAZZ STYLE
INTRO, THEN GOES INTO A 2 HORN HARMONY
WITH A SAX ECHO OF THE MELODY FOR 16
BARS, WITH A 3 PART CLOSE HARMONY FOR THE
REST OF THE 1ST CHORUS. THE LAST CHORUS FEATURES
A SAX COUNTER-MELODY. A SEMI COUNTRY/JAZZ
TUNE GOES OVER WELL WITH ALL KINDS OF
AUDIENCES. |
| 280-BB |
ZIP-A-DEE-DO-DAH |
AN
“-R“ ARRANGEMENT. A VERY NICE
UP TEMPO SWING VERSION, WITH A SAX SOLO
SECTION. NO CHORD SYMBOLS ON THIS ONE,
BUT YOU CAN FIGURE IT OUT. SAMPLE |
| |
Our
Holiday Selection |
|
| 803-BB |
All I Want For Christmas
Is My Two Front Teeth |
This is a vocal "-D" arrangement in C for a child or a male vocalist doing falsetto. Instrumentation is 5,4,4,4. It begins with the singer speaking the verse, followed by the chorus which is sung. The middle section features the band swinging and driving hard, and then returns to the vocal. There are no instrumental solos. With a little showmanship this can be a real crowd pleaser.
SAMPLE |
| 301-W |
AULD LANG SYNE |
IF YOU PLAY A NEW YEARS GIG YOU MUST
HAVE THIS ONE. |
| 908-L |
Christmas is Coming |
Vince Guaraldi. No solos |
| 615-BB |
CHRISTMAS MEDLEY |
A "-D" ARRANGEMENT. THREE
CHRISTMAS CLASSICS; "I'LL BE HOME
FOR CHRISTMAS", "HAVE YOURSELF
A MERRY LITTLE CHRISTMAS", AND
"WHITE CHRISTMAS'. LEAD CLARINET IN
THE BARI SAX PART, A LA GLENN MILLER, AND
SOLOS FOR 2nd TRUMPET AND 1st TENOR. SAMPLE |
| 445-W |
CHRISTMAS MEDLEY |
|
| 621-BB |
CHRISTMAS
SONG |
A "-D" ARRANGEMENT. THE
ARRANGER SAYS I NEED TO WRITE THE "BLURB"
DESCRIBING THIS CHART. SO HERE IT IS:
NICELY DONE, WELL PUT TOGETHER, VERY
PLAYABLE, OUTSTANDING. I HOPE HE'S HAPPY.
(THESE REALLY ARE VERY NICE ARRANGEMENTS.)
SAMPLE |
| 446-W |
CHRISTMAS
SONG |
|
| 909-L |
Christmastime is Here |
Vince Guaraldi. The sax and piano have written solos. |
| 676-D |
FELIZ NAVIDAD |
LATIN/RHUMBA. A MEDIUM TEMPO
CHRISTMAS RHUMBA MADE POPULAR BY JOSE
FELICIANO. NO SOLOS, AND CAN BE USED
WITHOUT THE TROMBONE AND 2nd TRUMPET. IN "C". SAMPLE |
| 677-D |
FROSTY THE SNOWMAN |
MEDLEY MAKER. CAN BE USED WITHOUT THE
BONE AND 2nd TRUMPET. EVERY PART HAS A
LEAD SHEET WITH MELODY, CHORDS, AND
LYRICS. SO CAN BE USED FOR SOLOS, VOCALS,
GANG VOCALS, OR EVEN (HEAVEN FORBID) A
SING-ALONG. IN
"Eb" SAMPLE |
| 619-R |
Frosty (The Snowman)
Dixie
|
An up-tempo chart in a Dixieland style. This chart
has a different and fun to play 8 bar intro and a very
interesting 8 bar "Fine" with some very
unusual chord changes. The clarinet and trumpet trade
the lead back and forth and the same with the
harmonies, while the Bari or bone have a quite nice
counter melody going on. The chorus can be open
for solos if you wish. For clarinet (we can transpose
this to alto for you if you like), tenor (can be
dropped), trumpet, bari or bone, and rhythm. |
| 432-W |
FROSTY THE SNOWMAN |
|
| 678-D |
GOD REST YE MERRY GENTLEMEN |
MEDLEY MAKER. CAN BE USED WITHOUT THE
BONE AND 2nd TRUMPET. EVERY PART HAS A
LEAD SHEET WITH MELODY, CHORDS, AND
LYRICS. SO CAN BE USED FOR SOLOS, VOCALS,
GANG VOCALS, OR EVEN (HEAVEN FORBID) A
SING-ALONG. IN
"Gm" SAMPLE |
| 756-R |
The Grinch
Sax Quartet |
Saxophone Quartet. Follows the original production
number pretty much. A nice bari part, and the other 3 horns switch back and forth with very nice harmonies. For SATB or AATB. |
| 757-R |
The Grinch |
SAA pretty much but with some very nice rhythm work and a little extra for the horns. For Clarinet or Soprano, Tenor, Bari or Bone, Trumpet, Piano and rhythm. |
| 434-W |
HARK |
|
| 620-R |
HAVE YOURSELF A MERRY LITTLE
CHRISTMAS |
USES 2 CLARINETS FOR LEAD AND HARMONY.
THE TRUMPET COMES IN FOR LEAD ALSO. |
| 435-W |
HAVE YOURSELF A MERRY LITTLE
CHRISTMAS |
|
| 696-BB |
HERE COMES SANTA CLAUS |
A "-D" ARRANGEMENT. A NICE
SWINGING CHART IN Eb. A MIDDLE CHORUS CAN
BE REPEATED FOR SOLOS AND VOCALS. SAMPLE |
| 436-W |
HERE COMES SANTA CLAUS |
|
| 679-D |
HOLLY JOLLY CHRISTMAS |
MEDLEY MAKER. CAN BE USED WITHOUT THE
BONE AND 2nd TRUMPET. EVERY PART HAS A
LEAD SHEET WITH MELODY, CHORDS, AND
LYRICS. SO CAN BE USED FOR SOLOS, VOCALS,
GANG VOCALS, OR EVEN (HEAVEN FORBID) A
SING-ALONG. IN
"F" SAMPLE |
| 437-W |
I'LL BE HOME FOR CHRISTMAS |
|
| 438-R |
I'LL BE HOME FOR CHRISTMAS
Vocal |
AC-DC. THIS IS
PRETTY STRAIGHTFORWARD, EXCEPT FOR A NEAT
COUNTER-MELODY FOR THE BARI (CAN BE
SKIPPED OR PLAYED BY THE BONE OR ALTO). |
| 680-D |
IT'S BEGINNING TO LOOK A LOT LIKE
CHRISTMAS |
MEDLEY MAKER. CAN BE USED WITHOUT THE
BONE AND 2nd TRUMPET. EVERY PART HAS A
LEAD SHEET WITH MELODY, CHORDS, AND
LYRICS. SO CAN BE USED FOR SOLOS, VOCALS,
GANG VOCALS, OR EVEN (HEAVEN FORBID) A
SING-ALONG. IN
"Bb" SAMPLE |
| 439-W |
IT'S BEGINNING TO LOOK A LOT LIKE
CHRISTMAS |
|
| 440-W |
JINGLE BELL ROCK |
|
| 888-D |
Jingle Bells |
This is a direct quote from the arranger; "I think it is a decent chart, but I'm all out of inspiration for writing a blurb". Well…You listen to the sample and I know you will agree that his quote is one of the biggest understatements heard in a long time. This is more than decent...This is a great chart! If it has to be Jingle Bells then this is the arrangement
for you with out a doubt. Written for 3 saxes (ATB),
2
trumpets, 2 trombones (2nd optional), rhythm. Starts in Bb and goes to C for the last chorus. Short (8-bar) ad-lib solos for tenor, trumpet, trombone, and piano.
SAMPLE |
| 896-D |
Jingle Bells
Sax Quintet |
Saxophone Quintet. AATTB with rhythm section. Ad-lib solos for alto, tenor, bari, and piano. Starts in "F" and goes to "G" for the last chorus.
SAMPLE |
| 755-R |
Jingle Bells?
Dixie |
Dixie Style. One of the better Christmas tunes you will find. It really
rocks, I mean it moves. It is Jingle Bells but there is some fun with a little bit of rhumba
in the middle and a very Muppet ending. For clarinet,
tenor, bari (or bone), trumpet, piano and rhythm.
IN
"F" SAMPLE |
| 98-R |
Jingled Bells
Dixie |
DIXIE STYLE
X-MAS TUNE A LITTLE DIFFICULT BUT WORTH IT. SAMPLE |
| 502-D |
LET IT SNOW |
MEDIUM TEMPO TWO-BEAT. MEDLEY MAKER. SAMPLE |
| 144-R |
NOEL |
LATIN STYLE. VERY NICE! |
| 807-R |
O Holy Night
Dixie |
Dixieland style. A slow mournful 3/4 swing tempo
arrangement done in the New Orleans Preservation Hall Jazz Band style. |
| 441-W |
OH FAITHFUL PINE |
|
| 681-D |
RUDOLPH THE RED NOSED REINDEER |
MEDLEY MAKER. CAN BE USED WITHOUT THE
BONE AND 2nd TRUMPET. EVERY PART HAS A
LEAD SHEET WITH MELODY, CHORDS, AND
LYRICS. SO CAN BE USED FOR SOLOS, VOCALS,
GANG VOCALS, OR EVEN (HEAVEN FORBID) A
SING-ALONG. IN
"F" SAMPLE |
| 697-BB |
RUDOLPH THE RED NOSED REINDEER |
A "-D" ARRANGEMENT.
FEATURES THE TROMBONE SECTION. A MIDDLE
CHORUS CAN BE REPEATED FOR SOLOS AND
VOCALS. IN "Bb"
SAMPLE
|
| 682-D |
SANTA CLAUS IS COMING TO TOWN |
MEDLEY MAKER. CAN BE USED WITHOUT THE
BONE AND 2nd TRUMPET. EVERY PART HAS A
LEAD SHEET WITH MELODY, CHORDS, AND
LYRICS. SO CAN BE USED FOR SOLOS, VOCALS,
GANG VOCALS, OR EVEN (HEAVEN FORBID) A
SING-ALONG. IN
"F" SAMPLE |
| 442-W |
SILVER BELLS |
|
| 683-D |
Sleigh Ride
Dixie |
A FUN UP-TEMPO DIXIELAND TREATMENT OF
THIS CHRISTMAS TUNE. THE 2nd TRUMPET AND
3rd TENOR ARE OPTIONAL. IN FACT, IT WILL
WORK FINE WITH JUST THE CLARINET,
TRUMPET, TROMBONE, AND RHYTHM IF SOMEONE
COVERS THE 2nd TENOR AD-LIB SOLO. THE
CLARINET ALSO HAS A SOLO. IN
"Bb" SAMPLE |
| 923-L |
Sleigh Ride |
Leroy Anderson. No solos. This a terrific combo arrangement
for alto, trumpet, bone and rhythm of Anderson's piece by Stephen Mangold |
| 512-R |
Toyland |
AN INTERESTING CHART! LEAD AND
HARMONY IN FIRST CHORUS WITH A TENOR/TRUMPET COUNTER MELODY LEAD IN THE SECOND. |
| 926-L |
Tuba Two, Volume One
Tuba Duet |
Tuba duet. A medley of "Joy to the World", "Up On the Housetop" and "We Wish You a Merry Christmas".
Now there may be a great many other
websites that carry sheet music out there but how many
have Tuba Duet sheet music. This shows you that
we are still "Outstanding and Unique".
We love the tuba! |
| 927-L |
Tuba Two, Volume Two
Tuba Duet |
Tuba Duet. A medley of "Angels We Have Heard On High", "What Child is This?" and "Hark the Herald Angels Sing." |
| 622-R |
WHAT ARE OF YOU DOING NEW YEARS |
IF YOU HAVE NEW YEARS GIG AND YOU
WANT TO SKIP ALL OF THE OTHER JUNK, JUST
PLAY THIS. A NICELY DONE CHART WITH A FEW
THINGS GOING ON IN THE BACKGROUND. |
| 419-W |
WHAT ARE YOU DOING NEW YEARS |
|
| 513-R |
WHAT CHILD IS THIS |
A NICE SIMPLE TUNE WITH A SHORT BOWED
BASS PART (IF YOU HAVE A STAND-UP BASS). |
| 443-W |
WHITE CHRISTMAS |
|
| 505-D |
WINTER WONDERLAND |
MEDIUM TEMPO 2 BEAT. MEDLEY MAKER. SAMPLE |
| 617-R |
WINTER WONDERLAND Vocal |
A THREE CHORUS CHART THAT HAS A
MIDDLE CHORUS FOR EITHER VOCALS OR SOLOS.
THE LAST CHORUS HAS A COOL TENOR SAX
COUNTER-MELODY. SAMPLE |
| 444-W |
WINTER WONDERLAND |
|
